It came to public knowledge recently, by Daily Mail, that Claire Foy received less than her co-star in The Crown, Matt Smith, for the role of THE QUEEN!!!!. After all the media noise, Netflix reported they would cover the payment gap and Claire would get the same amount of money that Matt did. But, months after, she is far from putting her hands on her well deserved money, as she told Al Arabiya in a recent interview, check it out below:
Claire Foy may not have received back pay after the pay inequality controversy for her starring role in the hit Netflix original series The Crown after all.
In late April, The Daily Mail reported that Foy would receive GBP 200,000 to make up for the gap between her and her co-star Matt Smith’s salaries for the show, produced by British production company Left Bank Pictures and Sony Pictures Television for Netflix.
In an interview with Al Arabiya for the upcoming film Girl in the Spider’s Web, Foy disputed that report.
“That was what was reported that I was back-paid. I’ve never mentioned anything about it and neither have the producers. The fact that that is ‘fact’ is—not quite correct,” Foy told Al Arabiya.
“Yes it’s Netflix, but it’s a British production company. It happened at the same time as it was coming out with a lot of other people that there was a lot of pay inequality across the board—in the music industry, in journalism, in every industry. It’s across the board that it became part of a bigger conversation, which is an odd place to find yourself in,” Foy continued.
The controversy garnered headlines across the world when it was revealed that Matt Smith, who plays Prince Philip in the acclaimed first two seasons of the show, was paid more for his role than was Foy, who played Queen Elizabeth—the show’s lead.
Both actors, who were recently nominated for Emmys for their performances, have been recast in season three as the series moves later into the lives of Queen Elizabeth and Prince Philip, past the ages of Smith and Foy. Left Bank has stated that it will no longer pay its actors unequally.
For Foy, the issue was a learning experience.
“I realized early on that me being quiet about it or me not thinking about it in any way, and not associating myself with it, would be harmful to me and also lots of other people. It’s taught me a lot, and I’m still learning about it. I have not come out the other side and know exactly what I’m talking about. I’m still learning as much as anybody else is,” Foy told Al Arabiya.
The added attention that has come with the success of the show has not affected her work or the work she has chosen to take.
“I’m 34, and before that I had an established career and before doing The Crown I had been working for 10 years. My job was sort of for me, really. I feel so lucky to do it. My only responsibility is to feel things and portray them. It’s very difficult for me, after ten years of doing that, to suddenly change my mind—that I suddenly have to do it for other people,” she said.
“Being known for playing one part and being known is a whole new concept for me, and I’m going to have to sit down and think about that at some point. It feels very separate from me as a person,” Foy continued.
In taking the role of Lisbeth Salander in The Girl in the Spider’s Web, based on the fourth book in the hugely popular Millennium series, Foy was not sure she was making the right decision, but thought it a worthwhile risk.
“I can’t predict the future, so I can’t know if I made the right choice or wrong choice. All I can do is go on my instinct and go, this feels wrong, this feels right, or this feels scary but also could be interesting as a person for me to do. For Lisbeth, I thought seemingly this could be a disastrous move, but you only live once. I feel so lucky to do this. I may as well just have a go, I don’t know,” she said.
It was a meeting with Spider’s Web director Fede Álvarez that convinced Foy to take the role.
“I met Fede. There was such expectation, this is such a well-loved part, and it’s been played so beautifully before, that in a sensible world I would run in the opposite direction. But it provided such a challenge. I loved her already from having read the books, so really I just met Fede and he was like, ‘come on, let’s be brave’. I was like, ‘alright then, fine.’”
The Crown seasons 1 and 2 are streaming now on Netflix and The Girl in the Spider’s Web is in Middle East cinemas this November.
Recently, Claire Foy talked her recent projects, such as The Crown, Unsane and The Girl in the Spider’s Web to Io Donna Italy. She was also photographed for the magazine, check out the pictures below:
Check out the complete interview below:
Berlin, Babelsberg studies. Claire Foy is sitting on a chair with her wrists tied. You can not move. He is undergoing the interrogation of a man who for the moment we only see from behind. A drop of sweat drops from her forehead along her right cheek. He stares intently into his eyes before the order arrives from afar: «Stop». It is Fede Alvarez, the director, who announces a break. The spotlights come on, technicians enter the set and replace various objects and tools. One releases her wrists. The man with his back moves away. Claire Foy instead stays there, on the chair, looking at an unspecified point in the background. He does not notice that we are watching. He is not in a hurry. He seems to need to mentally move away from the role he plays: that of Lisbeth Salander, the heroine of the Millennium series, ready to return to the screens thanks to a new novel by David Lagercrantz, the Swedish writer and journalist chosen by the Stieg Larsson family to carry on the saga, abruptly interrupted by his death, in 2004.
The film, like the book (published in Italy by Marsilio), is titled The one that does not kill and will be released next fall all over the world (from us on October 31st). It is a sequel that chronologically follows what happened in The Queen of Paper Castles. On the big screen, Claire Foy collects the baton of her colleague Noomi Rapace. “Lisbeth Salander is now a symbol, a woman who breaks any kind of cliché: computer enthusiast, motorcyclist and fighter. I had to study and think a lot to represent all the facets ». The thirty-four-year-old English actress has a lot of experience on set. He started ten years ago with several television series, but it is only thanks to the role of Elizabeth II in The Crown, which earned her the Golden Globe, which has gained international popularity. “It’s a period of great work and I almost have no more time to stop for a moment and think about the best look for me, I always go around with my characters”. This is his moment: in addition to what he does not kill, he has been in the cinemas with Unsane, experimental thriller signed by Steven Soderbergh, a film shot entirely with an iPhone.
Piercing, tattoos, leather clothing: how comfortable do you feel as Lisbeth Salander?
I’m not an aggressive looking girl, but I do not consider myself a “quiet” person. Above all as an adolescent I often had to repress anger. Acting was a great therapy for me.
Did you have to struggle a lot to become an actress?
My family has always supported me, but it is true that until I had a serious health problem (at 17 years had a benign tumor in one eye, ed) I had never thought about how precious life is and should be engage in any project where you decide to launch.
What did make you get angry as an adolescent?
I was a girl too responsible, I never really rebelled against my parents (divorced since she was eight years old, Claire was raised by her mother with her two older sisters). I wanted to be an outsider and to be able to make mistakes like many of my peers at the time, but I never felt right. And this caused me to get upset often, sometimes inappropriately. I lacked an outlet valve, a bit as it probably happened to Lisbeth Salander when very young.
Also in Unsane you play a woman victim of abuse, like Lisbeth, who is looking for her own way to rebel against…
They are two very different characters, yet similar in the determination they have in wanting to solve the question. Talking about feminism today also means, and above all, starting from the premise that a woman has no means of a man to take dramatic issues such as stalking and violence in general.
Do not you believe in the proper functioning of the institutions?
Yes, but I think the first step should always come from the victim. Only in this way can the risk of certain facts or situations be re-proposed. To interpret Lisbeth Salander I read several books on domestic violence. What I have discovered is that sexual predators are used to chase people who have been victims of abuse in the past and often do not even know it, they have a sort of sixth sense in choosing them.
How difficult is it to leave your characters behind?
I consider every new film an opportunity for growth. Wearing the shoes of another person teaches to be freer, not to be considered bankrupt when the career is not at its best or if you do not have a “normal” family with parties commanded to pass all together (Claire Foy has recently divorced from husband, the British actor Stephen Campbell Moore, with whom he has a daughter of three years). In these years, reading and studying scripts and people, I understood how the expectations of society are always and only a limit, never an incentive to do.
After the Emmys 2018 nominations were out, Claire Foy stated how grateful she was for the support on The Crown. Check out below what she said:
ET Canada – “I am so grateful for and honoured by the Emmys continued support for ‘The Crown’. I am so proud to have been part of such an extraordinary cast, crew and production team and I share this nomination with them. To be nominated alongside such incredible actresses is a true honour thank you Emmys….see you in September!!!” – Claire Foy, Lead Actress In A Drama Series for “The Crown”
So, the Emmys 2018 contestants are finally out and Claire Foy was nominated as Lead Actress in a Drama Series and The Crown as Drama Series. This year, Claire race against Elisabeth Moss, Tatiana Maslany, Sandra Oh, Keri Russell and Evan Rachel Wood. Check it out:
Lead Actress in a Drama Series:
Claire Foy (“The Crown”)
Tatiana Maslany (“Orphan Black”)
Elisabeth Moss (“The Handmaid’s Tale”)
Sandra Oh (“Killing Eve”)
Keri Russell (“The Americans”)
Evan Rachel Wood (“Westworld”)
“The Handmaid’s Tale”
“Game of Thrones”
“This Is Us”
Also, Claire’s co-stars, Matt Smith and Vanessa Kirby, were nominated as Supporting Actor in a Drama Series and Supporting Actress in a Drama Series, respectively. Let’s root for them too!
Recently, Vanessa Kirby (Princess Margaret on The Crown) and a big friend of Claire spoke up to Vulture about the payment gap between Claire Foy (Queen Elizabeth II) and Matt Smith (Prince Philip) on The Crown that became public recently, check it out below:
One of the biggest stories that emerged from the show’s second season was the gender pay gap. How surprised were you to learn that Claire Foy was being paid substantially less than Matt Smith?
I’ve spoken to Claire recently about it, and she’s talked so eloquently about the whole thing. It’s incited a change in her and all of us. The best thing about it is now the conversation is open and it’s less likely to happen again. This is partly why I feel proud at the moment to be in this industry, because for better or worse, us women are talking about it. Hopefully, this will impact other sectors and industries that don’t get the media coverage. If Angelina Jolie or Gwyneth Paltrow talk about these issues, people are reading about it. I hope we can be the instigator of change. I’m sure Claire felt like that too.
I was surprised how openly the producers admitted the disparity, and how they assured it won’t happen again. You don’t see that level of candor a lot.
I’m so glad you said that. It’s true. Suzanne [Mackie], the producer, is the most amazing woman. What she did was actually begin the conversation that was so essential. I think that it’ll help a lot of people.
After the disparity was revealed, did you investigate how your pay compared to men’s roles?
My situation is separate, really. It wasn’t comparable with Claire’s issue. I think a lot of it has to do with market value, and there’s a lot of problems with that, too, in the sense that women haven’t been giving as many opportunities for leading roles for men. You’re actually at a disadvantage, even when people are negotiating for you, because you haven’t had as many opportunities to get your position in the market. There are a lot of complications, which is why the pendulum has to swing as much as possible with everything that we do know. For all women as much as possible. It’s desperately unequal.
Yeah, whether someone’s “market value” is a justifiable argument to be made or not. Even if Claire wasn’t too well known in America at the time, she was the crown.
Totally. Also, I think it’s about people getting conscious and mindful of the norms and questioning them. Challenging them. Trying to do things differently. Having a commitment to change. It’s crucial. I definitely feel galvanized, as I’m sure women across our industry do, to speak up and stand up for equal rights and equal representation on the screen. A representation of women we can identify with as being women we would know, who are idiosyncratic and real and flawed and messy and brilliant. We have to really fight for that representation on screen now. I felt so blessed to find Margaret in that way.